Giselle Tickets

Giselle (;French: [ʒizɛl]), originally titled Giselle, ou les Wilis (French: [ʒizɛl u le vili], 'Giselle, or The Wilis'), is a romantic ballet ("ballet-pantomime") in two acts, and is considered a masterwork in the classical ballet performance canon. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States.

The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl who falls for the flirtations of the deceitful and disguised nobleman Albrecht. When the ruse is revealed, the fragile Giselle dies of heartbreak, and Albrecht must face the otherworldly consequences of his careless seduction.

The second act is largely dominated by the Wilis, the spirits of maidens who died after being betrayed by their lovers, and take revenge in the night by dancing men to death by exhaustion (a popular theme in Romantic-era ballets). Led by Myrtha, the Queen of the Wilis, they summon Giselle from her grave and target her lover for her death, but Giselle's great love frees him from their grasp. They gain their power in numbers as they effortlessly move through dramatic patterns and synchronized movements, and control the stage with their long tulle dresses and stoic expressions, creating an ethereal atmosphere that builds as they gradually close in on Albrecht. By saving Albrecht from the Wilis, Giselle also saves herself from becoming one of them.

Librettists Jules-Henri Vernoy de Saint-Georges and Théophile Gautier took their inspiration for the plot from a prose passage about the Wilis in De l'Allemagne, by Heinrich Heine, and from a poem called "Fantômes" in Les Orientales by Victor Hugo.

The prolific opera and ballet composer Adolphe Adam composed the music. Jean Coralli and Jules Perrot created the original choreography. The role of Giselle was intended for Carlotta Grisi as her debut piece for the Paris public, and she was the only ballerina to dance it at the Paris Opera for many years. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg. One of the world's most-often performed classical ballets, it is also one of its most challenging to dance.